Set in complex landscapes that have been described as “portals” onto another world, the paintings of the 1970s teem with military tanks camouflaged like Holstein cows, maps of parks and subway lines, floorplans of cathedrals and Greek temples with skies dominated by parallelograms of local showers where angels abound. Biblical subjects such as The Annunciation, the Four Horsemen of the Apocalypse, Abraham and Isaac and the Expulsion from the Garden happen in corners of these complex compositions. Angels accompany the stages of the winds, appear to the Virgin Mary as she slogs back to the house from milking the cows, and swoop down on Adam and Eve, interrupting them busy with their red rototiller in the Garden of Eden. Everything is crisply painted, the broader handling of the 1960s has been left behind.